September 11, 2009
I have had many of Dions fans send me messages asking me what medium and technique does he use, and how does he get such fine detail? He generally uses finely sharpened charcoal pencils, varying from soft to medium and hard. For more tips and help on charcoal, I highly recommend The Extraordinary Pencil by Marsha Robinett.
This work Dion did in 1992, it’s one of the first works I laid my eyes on when we met, I think it was love at first site 😉
August 31, 2009
When Dion and I were dating for a while, we played around with a Minolta camera, having fun with working with the shadows and sitting in a spotlight. Dion decided to paint an oil portrait from one of the best photo’s of us together and this now proudly hangs on my wall.
August 18, 2009
I promised to upload a drawing that Dion did of an adult man to see the contrast of the innocense of a child versus the wisdom of life in an adult male. There is a lot going on behind those eyes. What kind of a life has George had? Easy, difficult, sad, happy? Mixtures of all? When Dion approached George with the intention of wanting to draw his beautiful daughter, he opted to rather have a portrait of himself. This has fascinated me for years. Why did he want one of himself, and not his daughter? Selfish? Pompous? I like to think that perhaps he wanted to leave a legacy for his daughter.. knowing that she would appreciate a portrait of her daddy to keep with her forever, than a mirror image of herself…
August 13, 2009
There is something really special about children, especially their young eyes. An innocent light behind the eyes, full of joy, expection, hope and excitement. In my next post, I’ll put up a portrait that Dion did of an adult man. Look carefully at the difference. In this first portrait that Dion did of Kent, he captures the lightness & joy of childhood innocence. Watch the difference behind the eyes of the adult, wisdom, life challenges, trials, times of joy & laughter, sadness and tears. Will be posting the adult portrait soon, please come back to see, or click on the RSS feed to keep up to date with new entries.
July 16, 2009
Dion says: “I love the form, shape and simplicity of the work. How light plays off on the shapes. The black stone compliments the light and visa versa.
What I love about the zimbabweian people that create such stunning work is that they are very simple people who live day to day.”
Charcoal Drawing - Zimbabwe Stone Sculpture
I watched Dion create this one. Was very interesting for me as it’s the first time he has tackled a subject matter like this.
The paper he used was also different, had a slight rough texture which gives it the rough edge to it. This was also the first time he tried out a Carbon Pencil recommended by Marsha Robinett and he enjoyed the crisp and control that he had on the line of the pencil without the shine that a graphite pencil gives.
Would love to hear what you think? Please feel free to leave a comment 🙂
July 13, 2009
Dion says: “This elephant was a fantastic challenge especially working in every wrinkle on his trunk. The medium I prefer using is an extemely sharp charcoal pencil, which gets the effect of the surealism desired. I do not smudge, the whole picture is made up of seperate strokes, line by line. I love to create light among the shadows.”
Charcoal drawing of an African Elephant
July 9, 2009
A beautiful dominant animal. An African Elephant. I think our elephants are gorgeous, with their huge ears and massive tusks. One of Dion’s trademarks is playing with circles place playfully here and there.
Charcoal Drawing of an African Elephant